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Focus on: financial resilience in action

Financial resilience is key to the sustainability of Scotland’s museum organisations. It enables museums and galleries to weather uncertainty, adapt to change, and invest in their growth. It keeps their doors open to the public and safeguards their collections for future generations.

Museums and galleries are finding new ways to increase their revenue, develop their audiences, and reduce overheads. For this edition of Focus On, we interviewed three museum sector workers to discover how they’re achieving the financial resilience aims of Scotland’s museums and galleries strategy.

Two adults and three children on a walkway in front of a large black sail ship with the text "Discovery" on its side.

What is the financial resilience priority area?

Scotland’s museums and galleries operate on sustainable business models that reflect good financial practice and confidently demonstrate their value to society.

This is one of the ten priorities of Scotland’s strategy for museums and galleries. You can read the financial resilience priority area and actions in full here.

Q&A: introducing a new ticketing strategy

🎫 How do museum organisations make decisions about entry fees, and what impact can this have on their short and long term plans? Jenny spoke with Ashleigh at Dundee Heritage Trust to find out more about recent ticketing changes at their Discovery Point and Verdant Works sites.

An adult with medium-light skin, blonde hair, glasses, and a white shirt.
Ashleigh Pink
Commercial Director, Dundee Heritage Trust
A light skinned person with shoulder length brown hair, partial tied back in a ponytail, wearing a bright blue top with a mandala pattern on it.
Jenny Youngson
Museum Development Manager - Accreditation, Museums Galleries Scotland | She/Her
Visit Jenny's staff profile

JENNY: Hi Ashleigh; thanks for speaking with us today. Can you tell us why you looked to change your pricing model at Dundee Heritage Trust?

ASHLEIGH: In light of the ongoing cost of living crisis, we recognised that access to cultural and educational experiences is increasingly challenging for many individuals and families. We believe that museums and heritage sites should be accessible to everyone, as they play a vital role in community engagement and personal enrichment. This awareness prompted us to reconsider our pricing strategy.

Our decision-making process involved several key steps that align with our mission as a charity, whilst also recognising the importance of generating sustainable admissions revenue:

Whilst I believe that lowering our ticket prices is a positive step toward inclusivity, I am also aware of the associated risks. Primarily, there is a concern about the potential impact on our revenue and operational sustainability. We will continue to monitor these changes closely.

JENNY: It’s great to know that inclusivity played a big role in you reconsidering your pricing model and that the whole workforce was involved in the process. Did you encounter any challenges when establishing the new pricing model? 

ASHLEIGH: One of the primary challenges was balancing the need to attract more visitors with the potential risk to our revenue streams.

While my holistic review indicated that a price reduction could stimulate interest and engagement, it was essential to ensure that we remained financially sustainable. To address this, I conducted a comprehensive analysis of our financial projections, evaluating the potential impact of different pricing scenarios on both short-term and long-term revenue.

While the initial feedback from my colleagues on the Executive team and the board was largely positive, there were concerns about how the new pricing model might affect our brand perception and visitor experience. To overcome this, I organised collaborative workshops where we could openly discuss these concerns and brainstorm solutions. This inclusive approach fostered a shared sense of ownership for the new pricing strategy and helped alleviate apprehensions.

Open communication and a willingness to adapt our strategy based on feedback helped us navigate these challenges successfully. By continuously evaluating the impact of our pricing changes and remaining agile, we were able to make informed decisions that benefitted both our visitors and the financial health of both Verdant Works and Discovery Point.

An adult and two children in front of an illuminated panel. The adult and one of the children are pointing at the centre of the panel.
Visitors at Verdant Works. Credit: Dundee Heritage Trust

JENNY: Getting the balance between income generation and access for visitors is a real challenge; how did you determine your pricing levels?

ASHLEIGH: Initially, I utilised pre-COVID figures as a baseline to understand our previous pricing landscape and visitor trends. This provided us a perspective on how our pricing has historically aligned with visitor engagement and satisfaction.

I engaged with our team to gather insights and feedback. They provided valuable perspectives based on their interactions with visitors, highlighting concerns about affordability and the desire for more inclusive pricing options.

Additionally, before I started with Dundee Heritage Trust, a feasibility study was conducted that assessed the potential impact of adjusting our pricing. This study considered various factors, including projected visitor numbers, revenue models, and how changes might affect our operational sustainability. The findings indicated that a certain reduction in pricing could enhance visitor numbers and overall engagement, which is crucial for long-term success.

JENNY: Have you received any feedback from your visitors since the new pricing strategy went live?

ASHLEIGH: We’ve been closely monitoring visitor feedback. Early responses have been overwhelmingly positive, with many visitors expressing appreciation for the affordability. This feedback is crucial as it signals that our new pricing aligns more closely with our audience’s needs during these challenging times.

A close-up of the side of a black boat named 'Discovery,' with its name painted in bold lettering.
The RRS Discovery at Discovery Point. Credit: Dundee Heritage Trust

JENNY: It’s brilliant that you’re getting such positive feedback! Clear communication helps ensure the success of pricing changes; how have you communicated these changes to your visitors?

ASHLEIGH: We utilised all of our social media platforms to announce the new pricing, reaching a broad audience and encouraging engagement. Additionally, we sent out an email blast to our subscriber list, which allowed us to provide detailed information directly to our most loyal visitors.

I’d also like to commend our marketing manager, Julie Cumming, for her exceptional efforts in crafting clear and concise messages that resonate with our audience. Her strategies not only informed visitors but also opened the door for feedback.

Moreover, it was gratifying to see that our efforts were recognised and covered by the local press, amplifying our reach even further. By leveraging both digital and traditional media, we aimed to ensure that our visitors were well-informed and understood the value being offered with the new pricing structure.

JENNY: Well done on using such a variety of different methods to ensure that you reached all of your audiences. What do you hope the new ticketing strategy will mean for the organisation and your visitors in the long term? 

ASHLEIGH: I anticipate that fostering greater visitor attendance will lead to increased engagement with our exhibitions and programs. A larger visitor base creates opportunities for us to share our stories and heritage with more people, strengthening our role as educational and cultural institutions. I hope this increased engagement will lead to higher levels of repeat visits and word-of-mouth promotion, which are invaluable for our brand.

Additionally, as we grow our visitor numbers, we can explore alternative revenue streams, such as online retail sales, memberships, and enhanced on-site experiences, which can help offset the reduction in ticket prices. This strategic shift may encourage partnerships and sponsorships as we become more prominent within the local tourism landscape.

Finally, a successful ticketing strategy will allow us to invest more in our programs, exhibitions, and visitor services, ultimately enriching the visitor experience. My hope is that this new ticketing strategy will not only increase attendance but also enhance community engagement, diversify our audience, and create a sustainable model for growth that benefits both the organisation and our visitors for years to come.

JENNY: Thank you so much for speaking about these changes at Dundee Heritage Trust and providing us with such an honest reflection. It’s clear that a lot of excellent work across the whole workforce has gone into this new approach, and we wish you the best of luck with it.

📢 Explore Dundee Heritage Trust’s ticketing options on their website, which includes a ‘plan your visit’ section and FAQ.

For more information on admission pricing policies, read this 2023 report from the Association of Independent Museums.

Building an income-generating experience

🎩 Museums and galleries can turn a profit by creating bespoke activities for visitors. Dan shares how the team at Grantown Museum harnessed their skills to create ‘Adventures in Costume’, a unique dressing and photography experience which taps into tourist trends.

An adult with light skin, a grey beard, and glasses.
Dan Cottam
Museum Manager, Grantown Museum | He/Him
Two young adults with light skin wearing recreations of 18th century Scottish gowns. The two young adults are standing in an ornamental garden.
Two young adults dressed in 'Adventures in Costume' gowns. Credit: Grantown Museum

“5 years ago we were in the midst of lockdown. I was shielding so my colleague Suzi, a director of the museum, would deliver my shopping to me. This created a rare chance to talk to someone – albeit, from my window. One day she turned up with a very beautiful Victorian-style girl’s dress. “I made it for our dressing up” she said: “I’m thinking of doing another.”

Adventures in Costume was born this way. Suzi has incredible skills and likes to be busy and after her fourth dress made from the scraps she had lying about, a frothy pink crinoline two-piece taken from an original Victorian pattern, we knew we were onto something. We applied to MGS to create a collection of historical gowns that people could pay to try on and learn about historical fashion through their experience.

4 years on, and with plenty of adjustments to find an operating model that suits both us and the customer, the initiative has become a steady income earner. We charge £50 per costume fitting with photographs, so the experience has to have a luxurious feel to it. Finding space in the museum to do that without disrupting a visit for other people has been challenging and we have moved to mostly offering appointments outwith the museum hours but we find most people are quite happy to make it an evening activity.

Dressing people in corsetry, panniers and bustles is not the usual volunteer role; it’s quite intimate and it has been a challenge to find the right volunteers to deliver the activity. So, while we feel this has the potential to gain many more customers through investment in marketing, we know we would need to expand our team in order to deliver more sessions.

As so often in small museums like ours, initiatives like this would just not be profitable without volunteer time. We have a great asset in our replica costume collection, and over time we hope to really maximise its potential.”

📢 Visit the Adventures in Costume webpage to browse the full range of outfits and experiences on offer at Grantown Museum.

Investing in social media at a volunteer-led museum

🌐 Social media is a low-cost way to raise the profile of your museum and grow your audience – something which is essential for financial resilience. Paul from the volunteer-led Royal Burgh of Lanark Museum shares the impact of their first foray into online audience development.

A logo featuring a seated dog over the text "The Girnin' Dug". Surrounding the dog is the text "The Royal Burgh of Lanark Museum Trust".
Paul Archibald
Treasurer, Royal Burgh of Lanark Museum
A group of adults seated with laptops around a large table. An adult stands at the top of the table with a flipchart.
A social media course attended by museum volunteers. Credit: Royal Burgh of Lanark Museum

“As a member of Lanarkshire Heritage Forum, Lanark Museum took part in the development of a revised forward plan for the Forum in 2023/24. Among the items we identified for inclusion in a training programme was a course on social media.

After securing a grant from MGS for Forum training and networking, and after a tendering process, the Forum engaged the services of digital marketing agency Hop Skip Fly to design and deliver a bespoke course on a wide spectrum of social media. This was delivered in March 2024 on three days spread over a three-week span.

Two volunteers attended on behalf of the museum, neither having had much in the way of experience in using social media. Both of us found the content challenging but the course was well suited to those with little knowledge of the subject and the presentation was excellent throughout.

Since completing the course, Facebook was identified as the best platform for our purposes. We planned and developed a regular series of posts, 4-5 per week, the aim being to build our following and to create a presence online which showcased the museum collections and activities and to hopefully encourage more visitors.

Since starting the programme we have built a base of over 1,200 followers, with a very much larger number of views on many posts. The impact on visitor numbers seems to be positive: visits during the 2024 season (April to September) were up by over 62% on 2023.”

📢 Visit Lanark Museum’s Facebook page to explore their range of collections stories, vintage photography, and local histories.

Find out more

Thank you to Ashleigh, Dan, and Paul for highlighting some of the many ways that museum organisations can build their financial resilience. If you’d like more information on this topic, please check out this blog post on our website. You can also contact us to request advice and support in this area.

That’s it for this month’s edition of Focus on. Next time, we’ll be exploring how museums and galleries are combatting loneliness and improving the mental health of their communities in Focus on: health & wellbeing.